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The painting shows a hanami cherry blossom–viewing party in the Yoshiwara pleasure district in Edo. [19] 45 figures appear in it. [23] The scene is a teahouse, though one of a more exaggerated grandeur than a real one. [19] A sign of spring, sakura cherry-blossom petals fall all around, [9] and azaleas bloom in the bottom right. [10]
Large scale paintings were commissioned to adorn the castles and palaces of the military rulers. The Kanō school, patronized by the ruling class, was the most influential school of the period and, with 300 years of dominance, endured for the longest period in the history of Japanese painting.
Yokoyama Taikan (横山 大観, November 2, 1868 – February 26, 1958) was the art-name of a major figure in pre-World War II Japanese painting. He is notable for helping create the Japanese painting technique of Nihonga.
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints ...
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
The cherry blossom is also seen in the logo of the Japan Cricket Association [52] and the Japan national American football team. [53] [54] Cherry blossoms are a prevalent symbol in irezumi, the traditional art of Japanese tattoos. In this art form, cherry blossoms are often combined with other classic Japanese symbols like koi fish, dragons, or ...
Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker.Along with Hasui Kawase, he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints.
Number 27 in One Hundred Famous Views of Edo, Plum Orchard in Kamada (蒲田の梅園 Kamada no umezono, shows a similar colour scheme and subject.. The print shows part of the most famous tree in Edo, the "Sleeping Dragon Plum" (臥竜梅, garyūbai), which had blossoms "so white when full in bloom as to drive off the darkness" [attribution needed] and branches that travelled looping across ...
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