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" Das lila Lied" (German for "The Lavender Song") is a German cabaret song written in 1920 with lyrics by Kurt Schwabach and music by Mischa Spoliansky and is considered one of the first gay anthems. [ 1 ]
Kabarett is the German word for the French word cabaret but has two different meanings. The first meaning is the same as in English, describing a form of entertainment featuring comedy, song, dance, and theatre (often the word "cabaret" is used in German for this as well to distinguish this form). The latter describes a kind of political satire.
Claire Waldoff (21 October 1884 – 22 January 1957), born Clara Wortmann, was a German singer.She was a famous kabarett singer and entertainer in Berlin during the 1910s to the 1930s, chiefly known for performing ironic songs in the Berlin dialect and with lesbian undertones and themes.
Gerson continued performing as a popular cabaret singer throughout the 1920s and acting in films. By 1933, when the Nazi Party came to power in Germany, the German-Jewish population was systematically stripped of rights, and Gerson's career slowed dramatically. Blacklisted from performing in "Aryan" films, Gerson began recording music for a ...
The stage music requires a violin and a piano. [2] Compared to the revues Benatzky had been known for in the 1920s, Meine Schwester und ich is one of the pieces Benatzky wrote in a "new vein" of "smaller scale, more intellectual, more cabaret-style forms of operetta". [6]
Criminalization made researching, speaking, or writing about queer realities a legal risk during the first decades following WWII, not only in Germany. That the cabaret Eldorado is remembered at all is due in no small part to its central role in inspiring the novels of the Anglo-American author Christopher Isherwood, and to the Broadway musical ...
Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933. [1] 1920s Berlin was at the hectic center of the Weimar culture. [1]
Their songs have long been favorites of cabaret singers and jazz artists. Ella Fitzgerald recorded Ella Fitzgerald Sings the Rodgers & Hart Songbook and Andrea Marcovicci based one of her cabaret acts entirely on Rodgers and Hart songs. [8] In their era musicals were revue-like and librettos were little more than excuses for comic turns and ...