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Jean-Jacques Duval (Feb. 8, 1930 - Oct. 21, 2021) [1] was a French-born American artist who pioneered abstract art and the use of faceted glass in stained glass design in the 1960s. In 2005 he was awarded the Lifetime Achievement Award by the Stained Glass Association of America. [ 2 ]
In 2000 a retrospective exhibition Leo Théron's work, A Life in Glass, was opened in Sant Fruitós de Bages, some 55 km from Barcelona, Catalonia. It included more than 50 images of stained-glass windows designed and executed by Théron in South Africa, Italy and Spain. The emphasis was on his liturgical art, both figurative and abstract.
He met the perfume creator François Coty and in 1908 he pioneered in the design of perfume bottles, small glass symbols of modernity, which became a new genre of glass art. One example was the sepia stained glass bottle for 'Ambre Antique' Perfume. Another original design by Lalique was a sugar bowl made of sepia stained glass, wrapped in ...
In his search for his own material form, Roubíček's work at that time was close to informel [20] and his abstract glass sculptures were ahead of their time in their appreciation of fused glass. [ 49 ] [ 50 ] Miroslav Klivar describes Roubíček's sculptures as mythical surrealism and sees in them primordial images of psychic-lyrical-poetic ...
Higgins Glass refers to any piece of art glass or fused glass fashioned by Michael and Frances Higgins, of Chicago, Illinois, United States, during the last half of the 20th century. Their work combines a Kandinsky -esque visual aesthetic with an emphasis on functionality of the finished pieces.
An example of his later stained glass work is in the Kröller-Müller Museum in Hoge Veluwe, Netherlands. After having met Mondrian and van Doesburg and having founded the Stijl movement with them, his style became completely abstract, as did Mondrian's. But after disagreements with Mondrian his abstract style became based on representational ...
His modernistic bar ware, featuring clear, bright blue, purple, or red designs overlaid with luxe gold, echoed medieval European stained glass, but was presented in a wittily, light-hearted, abstract and modern way. His later ceramic pieces in bright pop-art colours, while not as high-end as his glass designs, also found a wide market.
Atypical for Haig, the non-abstract, figurative, design was by another, respected, stained-glass artist, Karl Parsons, who had lived locally. [7] [17] In 1997 two lights depicting rural scenes were added to the church of St Edith, Baverstock, Wiltshire. [7]
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