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  2. Quartal and quintal harmony - Wikipedia

    en.wikipedia.org/wiki/Quartal_and_quintal_harmony

    The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.

  3. Perfect fifth - Wikipedia

    en.wikipedia.org/wiki/Perfect_fifth

    The perfect fifth is a basic element in the construction of major and minor triads, and their extensions. Because these chords occur frequently in much music, the perfect fifth occurs just as often. However, since many instruments contain a perfect fifth as an overtone, it is not unusual to omit the fifth of a chord (especially in root position).

  4. Absolute pitch - Wikipedia

    en.wikipedia.org/wiki/Absolute_pitch

    Absolute pitch (AP), often called perfect pitch, is the ability to identify or re-create a given musical note without the benefit of a reference tone. [ 1 ] [ 2 ] AP may be demonstrated using linguistic labelling ("naming" a note), associating mental imagery with the note, or sensorimotor responses.

  5. List of people with absolute pitch - Wikipedia

    en.wikipedia.org/wiki/List_of_people_with...

    Persons with absolute pitch Name Year of birth Year of death Description Bill Bailey [2]: 1965 (living) British comedian, musician and actor Ludwig van Beethoven [3]: 1770

  6. Perfect fourth - Wikipedia

    en.wikipedia.org/wiki/Perfect_fourth

    The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it occurs "above the bass in chords with three or more notes". [ 2 ]

  7. Pythagorean tuning - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_tuning

    [3] Alternatively, it can be described as the tuning of the syntonic temperament [1] in which the generator is the ratio 3:2 (i.e., the untempered perfect fifth), which is ≈ 702 cents wide. The system dates back to Ancient Mesopotamia;. [4] (See Music of Mesopotamia § Music theory.)

  8. Just intonation - Wikipedia

    en.wikipedia.org/wiki/Just_intonation

    In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies. An interval tuned in this way is said to be pure, and is called a just interval .

  9. 4′33″ - Wikipedia

    en.wikipedia.org/wiki/4′33″

    4′33″ [a] is a modernist composition [b] by American experimental composer John Cage.It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements.

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