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The special effects of the 1991 American science fiction action film Terminator 2: Judgment Day were developed by four core groups: Industrial Light & Magic (ILM), Stan Winston Studio, Fantasy II Film Effects, and 4-Ward Productions. Pacific Data Images and Video Images provided some additional effects.
Terminator 2 special-effects coordinator Van Ling supervised the release. [79] [186] [187] The "Extreme Edition" was released in 2003, featuring the theatrical and "Special Edition" cuts, a remastered 1080p image, Cameron's first commentary, and a documentary about the film's influence on special effects. [186]
Robert Skotak (born May 17, 1945) is an American filmmaker and visual effects artist, known for his collaborations with director James Cameron.He won two Academy Awards for Best Visual Effects, for Aliens (1986) and Terminator 2: Judgment Day (1991), in addition to two BAFTA Awards and a Saturn Award.
Special effects of Terminator 2: Judgment Day; Special effects of Total Recall (1990 film) This page was last edited on 2 December 2023, at 08:20 (UTC). Text is ...
Terminator 2: Judgment Day is a side-scrolling action game in which the player takes control of a T-800 Terminator. [8] [9] Levels are based on eight locations from the film, including a truck stop, John Connor's house, a shopping mall, a mental hospital, a weapons cache, the house of Miles Dyson, and Cyberdyne Systems.
[15] Teaser trailers for Terminator 2 deliberately withheld that the T-1000 was the villain and the T-800 was now the protector. Robert Patrick as the T-1000 in Terminator 2: Judgment Day. Robert Patrick was cast as the slender T-1000, a deliberate distinction from the muscular T-800. Cameron said, "I wanted to find someone who would be a good ...
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Continuing at ILM, Williams worked in two more breakthrough moments of CG effects that earned the company more Oscars: the T-1000 from Terminator 2: Judgment Day (1991), a liquid metal robot that evolved from the work done in The Abyss; [6] and the dinosaurs of Jurassic Park (1993), one of which was the Tyrannosaurus which Williams personally ...
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