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In Kashmiri folk music, the prevalence of Nai is older than two thousand years as we get its description in Nilamata Purana. "Punyahved shabdin vansi venurvenaya sut magadh shabden tatha vandisvanenc" Nilamata Purana described banshi as well as venu and in the modern era even the Kashmiri artists, especially of Anantnag, are proficient in ...
Amy Woodforde-Finden (1860 – 13 March 1919) was a composer who is best known for writing the music to "Kashmiri Song" from Four Indian Love Lyrics by Laurence Hope.
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music (there known as the serja) – in Pakistan, South India and Bangladesh.
Ladishah (also spelled Ladi Shah or Laddi Shah) is a storytelling musical genre originated in Jammu and Kashmir with its roots in traditional and humorous folk singing originally sung by minstrels while locally wondering from one place to another. [2]
Mohammad Muneem Nazir (born 1983) is an Indian singer, songwriter and poet who sings and writes in the Kashmiri, Urdu and Hindi languages. Hailing from Srinagar in the Kashmir Valley, Muneem founded Alif, in 2008. He is known for making music that combines Kashmiri traditional and folk styles with western and contemporary genres.
"Kashmiri Song" sheet-music cover "Kashmiri Song" or "Pale Hands I Loved" is a 1902 song by Amy Woodforde-Finden based on a poem by Laurence Hope, pseudonym of Violet Nicolson. The poem first appeared in Hope's first collection of poems, The Garden of Kama (1901), also known as India's Love Lyrics.
Music sessions for the film began in Kashmir. Wahab was influenced by the culture and landscape of Kashmir, which helped to conceptualize the tunes and curate them which uses an Asian soundscape. [9] He met Kashmiri musicians which used instruments specifically for the region, including a Rababi group which performed spiritual music. [6]
Classical Afghan music often features this instrument as a key component. Elsewhere it is known as the Kabuli rebab in contrast to the Seni rebab of India. [3] In appearance, the Kabuli rubab looks slightly different from the Indian rubab. [7] It is the ancestor of the north Indian sarod, although unlike the sarod, it is fretted. [8]