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Mtume's 1984 album You, Me, and He also proved to be a success with the title song reaching number 2 on the R&B chart. [5] Their final R&B top ten hit was "Breathless" [5] (1986) from their final album Theater of the Mind. Mtume continued recording with Epic Records until the late 1980s. Group member Tawatha Agee subsequently went solo in 1987. [2]
Tawatha Agee (born November 14, 1954) is an American vocalist and songwriter. Her voice has been described in The New York Times as an "acrobatic, gospel-charged soprano." [1] She was the lead singer of funk and soul band Mtume; her soulful lead vocals are featured on their 1983 R&B hit "Juicy Fruit".
The FBISE was established under the FBISE Act 1975. [2] It is an autonomous body of working under the Ministry of Federal Education and Professional Training. [3] The official website of FBISE was launched on June 7, 2001, and was inaugurated by Mrs. Zobaida Jalal, the Minister for Education [4] The first-ever online result of FBISE was announced on 18 August 2001. [5]
The song "Juicy Fruit" is a staple hip-hop sample.It is sampled in the following songs: "Juicy" by Wrecks-N-Effect "Juicy" by Next "Do You See" by Warren G "This D.J." by Warren G
James Forman (January 3, 1946 – January 9, 2022), [2] known professionally as Mtume or James Mtume, was an American jazz and R&B musician, songwriter, ...
You, Me and He is a 1984 album by R&B group Mtume. This was their fourth album released on the Epic Records label. The title track was interpolated by Aaliyah for her remixes of her cover of " (At Your Best) You Are Love ", originally by The Isley Brothers
Kiss This World Goodbye is a 1978 album by R&B group Mtume. This was their debut album on the Epic Records label as well as the first album featuring vocals by Tawatha Agee . Track listing
Rebirth Cycle is the second studio album by American musician James Mtume.It was produced by Mtume himself, and released on the Third Street Records label. [1] It is one of a number of contemporary albums described as "some of the most compelling artifacts of the Black Power-Black music nexus", with "explicit endorsements of radical nationalist principles" and "of a very high artistic level ...