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The Kimbell seated Bodhisattva belongs to a type known as the "Kapardin" statue of the Buddha, characterized by a "Kapardin" coil of hair on the top of the head. The top of the statue was broken, and a full decorated aureola with flying attendants initially stood behind the image of the Buddha. [8]
The full gown worn by the Buddha on the coins, covering both shoulders, suggests a Gandharan model rather than a Mathuran one, and the style is clearly Hellenistic. Kanishka also issued other types of Buddhist coinage, representation a "Shakyamuni Buddha" standing and walking, as well as a seated "Maitreya Buddha".
The first statues and busts of the Buddha were made in the region around Mathura or Gandhara in the second or third century CE. [4] [5] Many statues and busts exist where the Buddha and other bodhisattvas have a mustache. Seated Buddha, Gandhara, 1st–2nd century CE, Tokyo National Museum Buddha depicted with urna, gilt bronze, 14th century
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Fragment of a Buddha stele in the name of a "Kshatrapa lady" named Naṃda (Naṃdaye Kshatrapa), from the Art of Mathura. [8] [9] [10] The stele is dedicated to the Bodhisattva "for the welfare and happiness of all sentient beings for the acceptance of the Sarvastivadas". Northern Satraps period, 1st century CE.
Both seated Padmapani and Vajrapani, regarded as the guardian of Buddha Vairocana, are depicted as a handsome well-built men with serene expression adorned with exquisite crown and jewelries. The statues are the fine example of the 9th century Central Javanese Sailendran art, which influenced the Buddhist art in Southeast Asia, including ...
The three Vedic gods Indra, Brahma, and Surya were first depicted in Buddhist sculpture from the 2nd-1st century BCE, as attendants in scenes commemorating the life of the Buddha, even when the Buddha himself was not yet shown in human form but only through his symbols, such as the scenes of his Birth, his Descent from the Trāyastriṃśa ...
The second image, dated to 706 is an exquisite and rare example of a seated Buddha from Korea during this time period and the contrast in style with its counterpart is quite striking. The seated Buddha incorporates the latest styles from Tang China and is a beautiful example of the so-called International Style practiced throughout East Asia.