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2. The Print Shop - Wikipedia

   en.wikipedia.org/wiki/The_Print_Shop

   The Print Shop Companion, developed by Roland Gustafsson and released in 1985, added a calendar feature, an updated graphic editor, font and border editors, and a "Creature Maker" game, as well as an expanded library of fonts, borders, and graphics. Initially, to use the new fonts and borders in The Print Shop Companion had to modify the ...

3. Wolfgang Weingart - Wikipedia

   en.wikipedia.org/wiki/Wolfgang_Weingart

   Wolfgang Weingart (6 February 1941 – 12 July 2021) was an internationally known graphic designer and typographer. His work was categorized as Swiss typography and he was credited as "the father" of New Wave or Swiss Punk typography.

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5. Montserrat (typeface) - Wikipedia

   en.wikipedia.org/wiki/Montserrat_(typeface)

   Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.

6. Bauhaus (typeface) - Wikipedia

   en.wikipedia.org/wiki/Bauhaus_(typeface)

   The most well known Bauhaus typeface is Bayer's Universal. [2] Major elements of Bauhaus typography in Bayer's original form were the elimination of capital letters, composition based on strong geometrical elements and expressive use of colors, and the replacement of the Gothic font by a more cosmopolitan font suitable for the move from ...

7. Whitney (typeface) - Wikipedia

   en.wikipedia.org/wiki/Whitney_(typeface)

   Whitney was created in 2004 by the foundry of Hoefler & Frere-Jones. Whitney bridges the divide between editorial mainstays such as News Gothic (1908), which is an American gothic typeface, and signage application standards such as Frutiger (1975), which is a European humanist typeface.

8. Modern typography - Wikipedia

   en.wikipedia.org/wiki/Modern_typography

   Typeface remains the groundwork for design concepts. The hallmark of early modern typography is the sans-serif typeface. "Because of its simplicity, the even weight of its lines, and its nicely balanced proportions, sans serif forms pleasing and easily distinguished word patterns — a most important element in legibility and easy reading."

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