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This overall design was called "shining armor" (Chinese: 明光甲; pinyin: míngguāngjiǎ). [63] There is an alternative theory that mountain pattern armour is simply a result of very stylistic depictions of mail armour, [64] but known depictions of mail armour in Chinese art do not match with mountain pattern armour either.
Other weapons from Chinese mythology, legend, cultural symbology, and fiction include the shield and battleax of the defiant dancer Xingtian, Yi's bow and arrows, given him by Di Jun, and the many weapons and armor of Chiyou, who is associated with the elemental power of metal. Chinese mythology, legend, cultural symbology, and fiction features ...
On the other hand, according to Bakōhan Saōki (record of tea-bowl with a 'large-locust' clamp), such "ugliness" was considered inspirational and Zen-like, as it connoted beauty in broken things. The bowl thus became highly valued due to the large metal staples, which looked like a locust , and the bowl was named 'bakōhan ("large-locust clamp").
Warrior holding a mace wearing lamellar armour to the right, late Ming dynasty, 17th c. Some were armed with bows and arrows hanging down their backs ; others had nothing save a shield on the left arm and a good sword in the right hand ; while many wielded with both hands a formidable battle-sword fixed to a stick half the length of a man.
Lamellar armour was used over a wide range of time periods in Central Asia, Eastern Asia (especially in China, Japan, Korea, Mongolia, and Tibet), Western Asia, and Eastern Europe. The earliest evidence for lamellar armour comes from sculpted artwork of the Neo-Assyrian Empire (911–609 BC ) in the Near East .
The rattan shield was used by the militaries of China and Korea since the Ming dynasty and the Joseon dynasty, respectively. The Ming general Qi Jiguang described its use in his book, the Jixiao Xinshu, which was reproduced in the Korean Muyejebo that contains the first Korean account of the shield. The rattan shield is circular and often have ...
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Rhinoceroses were relatively common in southern China at the time of the composition of "Hymn to the Fallen", and Chu is noted for historical use of rhino skin armor for war. "[t]he soldiers of Chu were equipped with armour made of sharkskin and rhinoceros hide as hard as metal or stone, and with pikes of Nanyang steel that could sting a man ...