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Miles Davis' Greatest Hits is a compilation album by Miles Davis originally released in 1969 and re-released in 1997 on CD with different recordings of tracks 3, 4 and 8. [ 2 ] [ 3 ] Track listing 1997 CD reissue
The earliest Davis music released was recorded from April 4, 1945 through August 14, 1947, and reissued in CD format by Savoy Records under the title First Miles. From 1949 through 1950, Davis recorded twelve tunes with a nonet consisting of other noted jazz musicians including arranger Gil Evans , Gerry Mulligan , Lee Konitz , John Lewis, Max ...
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Sketches of Spain is a studio album by the jazz trumpeter and composer Miles Davis.It was released on 18 July 1960 through Columbia Records.The recording took place between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City.
Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis.It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records.
Miles Davis – trumpet; John Coltrane – tenor saxophone; Red Garland – piano; Paul Chambers – bass; Philly Joe Jones – drums "Miles Ahead", recorded May 10, 1957. (previously released in Miles Ahead, 1957.) Miles Davis – flugelhorn; Bernie Glow – tenor saxophone; Ernie Royal – trumpet; John Carisi – trumpet; Louis Mucci ...
Recorded on March 3, 1970, [6] "Go Ahead John" is an outtake from Davis's Jack Johnson sessions. [7] The recording is a riff and groove-based, with a relatively sparser line-up of Steve Grossman on soprano saxophone, Dave Holland on bass, Jack DeJohnette on drums, and John McLaughlin on guitar with wah-wah pedal.
Tutu divided critics and listeners when it was released in 1986. [19] Like Davis's pivotal 1970 album Bitches Brew, Paul Tingen wrote, Tutu became one of the "defining jazz albums" of its decade and attracted a young, new audience while alienating many other jazz listeners because of its heavy reliance on the drum machine and synthesizers.