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Frogs in culture. Frog and Mouse by Getsuju, a Japanese artist of the Edo period. Frogs play a variety of roles in culture, appearing in folklore and fairy tales such as the Brothers Grimm story of The Frog Prince. In ancient Egypt and Mesopotamia, frogs symbolized fertility, while in classical antiquity, the Greeks and Romans associated frogs ...
The Jin Chan is a legendary animal of the Han people. The money toad is associated with the Daoist monk, Liu Haichan, as the xianren ' s animal companion. According to students from UC Irvine, a three-legged toad is the equivalent of the moon in Chinese mythology (yin concept), which is personified by the goddess Chang'e.
A common motif used in Chinese embroidery and in Chinaware. [12] The butterfly is a symbol of joy and summer. [12] It also implies long life, beauty and elegance. [6] Pair of butterflies. Pair of butterflies embroidered on clothing strengthens the energy of love. [6] Love, especially young love; undying bond between lovers.
Chinese folklore contains many symbolic folk meanings for the objects and animals within the folktales. One example of this is the symbolic meaning behind frogs and toads. Toads are named Ch'an Chu (蟾蜍) in Chinese, a folklore about Ch'an Chu illustrates the toad imports the implication of eternal life and perpetual. Chinese folklore unfolds ...
Chinese dragon. The Chinese dragon (Chinese: 龍; pinyin: lóng), also loong, is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. [1] Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs.
Nüwa, also read Nügua, is a mother goddess, culture hero, [1] and/or member of the Three Sovereigns of Chinese mythology. She is a goddess in Chinese folk religion, Chinese Buddhism, Confucianism and Taoism. [2] She is credited with creating humanity and repairing the Pillar of Heaven. [3]
The frog is the end-product of thousands years of traditional Chinese knotting craft, which is itself rooted in the Lào zi culture. [3] [11] As a form of fastener, the frog first appeared on traditional Chinese clothing, [1] [12] and can be traced back to the Song dynasty when fabric was braided into braid buckles to create the loop and the button knot.
Sun Wukong fights the Moon Rabbit, a scene in the sixteenth century Chinese novel, Journey to the West, depicted in Yoshitoshi's One Hundred Aspects of the Moon. In the Buddhist Jataka tales, [4] Tale 316 relates that a monkey, an otter, a jackal, and a rabbit resolved to practice charity on the day of the full moon (), believing a demonstration of great virtue would earn a great reward.