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The system of operation of the Franklin clock considers that the electrostatic force generated by an electric field is used to move the pendulums that strike two metal bells. [8] [9] The Franklin bells uses a metal rod as a lightning rod to attract current. One bell is connected to the lightning rod and the other bell is connected to the ground.
Chords of Fame also included performances of Ochs songs by folk musicians who knew him, including Bob Gibson, Pete Seeger, Tom Paxton, Dave Van Ronk, and Eric Andersen. [206] Filmmaker Ken Bowser directed the documentary film Phil Ochs: There but for Fortune, which premiered at the 2010 Woodstock Film Festival in Woodstock, New York.
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]
Original, in the style of Ben Folds, [7] who also plays piano. "Word Crimes" Mandatory Fun (2014) Parody of "Blurred Lines" by Robin Thicke featuring T.I. and Pharrell Williams "Yoda" Dare to Be Stupid (1985) Permanent Record: Al in the Box (1994) Greatest Hits Volume II (1994) The Essential "Weird Al" Yankovic (2009) Medium Rarities (Demo)
"The Bells" Studio recording: All the News That's Fit to Sing (1964) Live recording: There and Now: Live in Vancouver 1968 (March 13, 1969,) Amchitka, The 1970 Concert That Launched Greenpeace (October 16, 1970,) Lyrics adapted from the poem by Edgar Allan Poe. [21] The 1969 live recording features Allen Ginsberg on bells. [22] "Bobby Dylan ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. Its first performance was by the composer on 26 September 1892, [1] at a festival called the Moscow Electrical ...