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An illustration of a set of Franklin bells, printed in George Adams' Lectures on Natural and Experimental Philosophy. Franklin bells (also known as lightning bells) are an early demonstration of electric charge designed to work with a Leyden jar or a lightning rod. Franklin bells are only a qualitative indicator of electric charge and were used ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
This version includes the lyrics "bells will be ringing the sad, sad news" (that is, a Christmas alone) as opposed to Brown's original version which references the "glad, glad news" (that is, Christmas in general). A live version of the song was included on the compilation 4-CD box set called Selected Works: 1972–1999 released in 2000.
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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
"The Bell" is a song by musician Mike Oldfield, first released on the 1992 album Tubular Bells II. It was released as a single in April 1993 by Warner Music . The single features a restructured, shorter version of the album version of the song.
Lennon and McCartney arrive outside and discover the piano, with the discovered notes of the chord floating above it. They are able to complete the chord, causing the piano to drag Maestro inside, freeing the Doctor and Ruby. Before the lid closes, trapping them, Maestro portends the coming of "The One Who Waits" to the Doctor.
"Ring Them Bells" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fourth track on his album Oh Mercy. It is a piano-driven, hymn-like ballad that is considered by many to be the best song on Oh Mercy [ 1 ] and it is the track from that album that has been covered the most by other artists.