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In Greek mythology, Python (Greek: Πύθων; gen. Πύθωνος) was the serpent , sometimes represented as a medieval -style dragon , living at the center of the Earth , believed by the ancient Greeks to be at Delphi .
The word dragon derives from the Greek δράκων (drakōn) and its Latin cognate draco.Ancient Greeks applied the term to large, constricting snakes. [2] The Greek drakōn was far more associated with poisonous spit or breath than the modern Western dragon, though fiery breath is still attested in a few myths.
Saint George slaying the dragon, as depicted by Paolo Uccello, c. 1470. A dragonslayer is a person or being that slays dragons.Dragonslayers and the creatures they hunt have been popular in traditional stories from around the world: they are a type of story classified as type 300 in the Aarne–Thompson classification system. [1]
Bellerophon [1] or Bellerophontes (Ancient Greek: Βελλεροφών; Βελλεροφόντης; lit. "slayer of Belleros") or Hipponous (Ancient Greek: Ἱππόνοος; lit. "horse-knower"), [2] was a divine Corinthian hero of Greek mythology, the son of Poseidon and Eurynome, and the foster son of Glaukos.
The music of Greece is as diverse and celebrated as its history.Greek music separates into two parts: Greek traditional music and Byzantine music.These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. [1]
Musical scene with three women painted by the Niobid painter.Side A of a red-figure amphora, Walters Art Museum. Music played an integral role in ancient Greek society. Pericles' teacher Damon said, according to Plato in the Republic, "when fundamental modes of music change, the fundamental modes of the state change with t
Ladon is the Greek version of the West Semitic serpent Lotan, or the Hurrian serpent Illuyanka. [ citation needed ] He might be given multiple heads, a hundred in Aristophanes ' The Frogs (a passing remark in line 475), which might speak with different voices.
Archytas provided a rigorous proof that the basic musical intervals cannot be divided in half, or in other words, that there is no mean proportional between numbers in super-particular ratio (octave 2:1, fourth 4:3, fifth 3:2, 9:8). [12] [14] Archytas was also the first ancient Greek theorist to provide ratios for all 3 genera. [1]