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San Manuel Bueno, mártir (1931) is a short novel by Miguel de Unamuno (1864–1936). It experiments with changes of narrator as well as minimalism of action and of description, and as such has been described as a nivola, a literary genre invented by Unamuno to describe his work.
Miguel de Unamuno was born in Bilbao, a port city of the Basque Country, Spain, the son of Félix de Unamuno and Salomé Jugo. [4] As a young man, he was interested in the Basque language , which he could speak, and competed for a teaching position in the Instituto de Bilbao against Sabino Arana .
When the novel was published Spain has been enjoying some 20 years of political stability, the first such period in the 19th century. The regime, usually named "Restoration", was monarchy combined with parliamentarian liberal democracy; two key parties were interchanging at power and fundamental flaws of the system – its elitism, corruption and caciquismo – were not clearly visible yet. [4]
Abel Sánchez: A Story of Passion (Spanish: Abel Sánchez: Una historia de pasión) is a 1917 novel by Miguel de Unamuno. Abel Sanchez is a re-telling of the story of Cain and Abel set in modern times, which uses the parable to explore themes of envy .
Novels by Miguel de Unamuno (4 P) Pages in category "Miguel de Unamuno" The following 4 pages are in this category, out of 4 total.
Among the giants of Generación de 1898 Miguel de Unamuno was chronologically the first one to address the Carlist question in a literary work; Paz en la guerra (1897) remained also his only novel featuring Carlism, [151] though the phenomenon was discussed also in his numerous essays, treaties, studies and all genres which do not fall into ...
Miguel de Unamuno's 1930 novel San Manuel Bueno, Mártir depicts Catholic atheism. According to research in 2007, only 27% of Catholics in the Netherlands considered themselves theist ; 55% were ietsist or agnostic deist and 17% were agnostic or atheist .
Augusto reminds Unamuno that he might be just a character in one of God's dreams. Augusto returns to his home and dies. Whether or not he is killed by Unamuno or commits suicide is a subject of debate and is mostly down to the reader's opinion. The book ends with the author himself debating himself about bringing back the character of Augusto.