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Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. Op. 10, 12 Études: Étude in C major (1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude in E ♭ minor (1830) Étude in C major ...
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
12 Etudes caractéristiques, Op. 2 piano 1838 [ac] These two sets collectively cover all 24 major and minor keys 12 Etudes de salon, Op. 5 [ad] Christian Heinrich Rinck: 24 fugirte Orgelstücke, Op. 120 organ 1838 [ae] [47] Frédéric Chopin: 24 Preludes, Op. 28: piano 1835–39 C5 [n] Dedicated to Camille Pleyel (French edition) and Kessler ...
Henrique Oswald (1852–1931): Trois Etudes pour piano, plus three independent études; Rafael Joseffy (1852-1915): School of Advanced Piano Playing; Moritz Moszkowski (1854–1925): three concert studies (Op. 24), Ecole des doubles notes (Op. 64), 15 Études de Virtuositié (Op. 72), 12 studies for the left hand alone (Op. 92), and 20 technical studies (Op. 91).
Opus 25 No. 10. Study (Marcia funebre) [Early list specifies Study No.41 as "Marcia funebre," but the version published is an Allegro con fuoco] Opus 25 No. 12. Study in C ♯ minor (Listed as "No. 43" in the 1903 list. It was a different study from the current No. 43 (solo for the left hand), and Hinderer wrote that it was a study for both hands.)
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
The technique required to play Chopin's Études, Op. 10 (1833) and Op. 25 (1837) was extremely novel at the time of their publication; the first performer who succeeded at mastering the pieces was the renowned virtuoso composer Franz Liszt (to whom Chopin dedicated the Op. 10). Liszt himself composed a number of études that were more extensive ...
In the 20th century, composers who paid homage to (or in some cases parodied) the music of Chopin included George Crumb, Leopold Godowsky, Bohuslav Martinů, Darius Milhaud, Igor Stravinsky, [234] and Heitor Villa-Lobos. [235] Chopin's music was used in the 1909 ballet Chopiniana, choreographed by Michel Fokine and orchestrated by Alexander ...
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