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Color theory, or more specifically traditional color theory, ... and the notebooks of Leonardo da Vinci (c. 1490). Goethe's color wheel from his 1810 Theory of ...
The two–Mona Lisa theory is a longstanding theory proposed by various historians, art experts, and others that Leonardo da Vinci painted two versions of the Mona Lisa. [ 2 ] [ 3 ] [ 4 ] Several of these experts have further concluded that examination of historical documents indicates that one version was painted several years before the second.
It is a painting of the same subject as Leonardo da Vinci's Mona Lisa. The current scholarly consensus on attribution is unclear. [ 175 ] Some experts, including Frank Zöllner , Martin Kemp , and Luke Syson denied the attribution to Leonardo; [ 176 ] [ 177 ] professors such as Salvatore Lorusso, Andrea Natali, [ 178 ] and John F Asmus ...
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on ...
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...
The Vitruvian Man, c. 1490. Leonardo da Vinci (1452–1519) was an Italian polymath, regarded as the epitome of the "Renaissance Man", displaying skills in numerous diverse areas of study.