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Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
This was perhaps best seen in Taylor’s new Gold Label collection, which brings a ton of new features (and a new sound) into what looks like a very traditional acoustic guitar. Having celebrated ...
These amplifiers are intended for acoustic instruments such as violin ("fiddle"), mandolin, harp, and acoustic guitar—especially for the way musicians play these instruments in quieter genres such as folk and bluegrass. They are similar to keyboard amplifiers, in that they have a relatively flat frequency response and avoid tonal coloration.
A Pignose amplifier (on the right), teamed with a Takamine guitar and a Meinl cajon percussion instrument. Pignose-Gorilla, commonly known as Pignose, is a manufacturer of portable, battery-powered guitar amplifiers, as well as AC-powered practice amps and guitars.
The company was founded as SWR Engineering, Inc. by its namesake, Steve W. Rabe. Rabe was known for his engineering work at Acoustic Control Corporation.After extensive research with top Los Angeles studio bassists, SWR released its first commercial product in 1984, the PB-200 hybrid tube/solid-state bass guitar amplifier.
The dual channel amplifier [9] uses pre-amp valves (most specifically the EF86 pentode) that are associated with smaller Vox amps. [10] The range includes 15, 30, and 100-watt models in both head and combo form. The 15 and 30-watt combos were called "substantial amps that provide substantial tones" in Vintage Guitar. [2]
Most of the amplifiers produced by ACC were solid-state, but a few models later in production were valve amps. The company is remembered in particular for its Acoustic 361 bass stack, consisting of an Acoustic 360 bass pre-amplifier and one or two Acoustic 361 W-bins, each featuring a built-in 200-watt RMS power amplifier and a rear-facing 18" Cerwin-Vega loudspeaker.
Kevin Odegard, who played guitar on “Blood on the Tracks,” wrote, “We loved every minute… Critics who pick apart the imaginative world of composite characters and compacted historical ...
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