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This category is for directors who have made significant contributions to the science fiction film genre. Subcategories This category has the following 2 subcategories, out of 2 total.
A storm surge, storm flood, tidal surge, or storm tide is a coastal flood or tsunami-like phenomenon of rising water commonly associated with low-pressure weather systems, such as cyclones. It is measured as the rise in water level above the normal tidal level, and does not include waves. [1]
This list of disaster films represents over half a century of films within the genre. Disaster films are motion pictures which depict an impending or ongoing disaster as a central plot feature. The films typically feature large casts and multiple storylines and focus on the protagonists attempts to avert, escape, or cope with the disaster ...
The Day After Tomorrow is a 2004 American science fiction disaster film [2] conceived, co-written, co-produced, and directed by Roland Emmerich, based on the 1999 book The Coming Global Superstorm by Art Bell and Whitley Strieber, and starring Dennis Quaid, Jake Gyllenhaal, Sela Ward, Emmy Rossum, and Ian Holm.
Science fiction films This is a list of science fiction films organized chronologically. These films have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics.
Pages in category "American science fiction film directors" The following 89 pages are in this category, out of 89 total. This list may not reflect recent changes .
(Unnamed): Category Five storm of mysterious origin that threatens Miami with winds of over 250 mph (400 km/h) in the first-season episode Target Hurricane of Science Fiction Theater. Hurricane Grace and Hurricane Agatha: The made-for-BBC movie Superstorm, starring Tom Sizemore and Nicola Stephenson, involves two hurricanes named Grace and Agatha.
According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.