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The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
The entire sonata form, therefore, is understood as a dynamic trajectory toward the ESC, the basic plan of which is foreshadowed by the exposition's approach to the EEC. This teleology is central to Sonata Theorys conception of the dramatic and expressive potential of sonata form as a whole. The crux is the part of the recapitulation where the ...
The term is most widely used [4] as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. [5] If the exposition starts in a minor key, it typically modulates to the relative ...
In music, the three-key exposition is a particular kind of exposition used in sonata form. Normally, a sonata form exposition has two main key areas. The first asserts the primary key of the piece, that is, the tonic. The second section moves to a different key, establishes that key firmly, arriving ultimately at a cadence in that key.
The first movement is in sonata form. It begins with a slow introductory theme, marked Grave. The exposition, marked Allegro di molto con brio, is in 2 2 time in the home key of C minor and features three themes. Theme 1 features an aggressive rocket theme covering two octaves, accompanied with constant tremolo octaves in the left hand.
In sonata form. The exposition modulates to the submediant, F major, rather than to the usual mediant, C major. The recapitulation begins in the subdominant, D minor, and most of the recapitulation's second group is in A major before a short coda returns to the minor mode for the movement's ending. II. Allegretto quasi andantino. E major. A ...
Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
The first movement, marked Allegro, is structured in sonata form; the exposition opens with a turning figure for the left hand, which forms the basis for much of this movement. After a repeat of the opening 2 bars, an Alberti bass is introduced for the left hand, whilst the right hand plays the melody based on the opening turning figure.