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MUSIC V was developed by Mathews and J. Miller on a GE 645 in 1966 at Bell Labs [4] MUSIC V was considerably augmented at IRCAM in Paris by John Gardner and Jean-Louis Richer to enable it to process digitized sounds as well as to synthesize sounds CMusic was developed by F. R. Moore and D. G. Loy on a DEC VAX-11 at UCSD in 1980 [4]
Inferno is a distributed operating system started at Bell Labs and now developed and maintained by Vita Nuova Holdings as free software under the MIT License. [2] [3] Inferno was based on the experience gained with Plan 9 from Bell Labs, and the further research of Bell Labs into operating systems, languages, on-the-fly compilers, graphics, security, networking and portability.
Synth1 is the all-time most downloaded VST plug-in on KVR Audio, [13] and was ranked number 5 on MusicRadar's list of "The 27 best free VST plug-ins in the world today". [14] It has over 25 thousand free patches to download online. Because Synth1's versatility, there are a wide variety of patches available.
] The project is available for free download. [10] Other open-source programs include virtual synthesizers and MIDI controllers, such as those provided by FluidSynth and TiMidity. Both can load SoundFonts to expand the voices and instruments available for synthesis and expand the ports and channels available to synthesizers.
The DW-6000 is a six-voice hybrid digital-analog synthesizer with a five-octave keyboard, memory for 64 presets, a joystick and MIDI implementation. The front panel has two buttons for program and parameter selection, numeric keys for choosing program and parameter numbers, and a data slider with +/— buttons for more precise parameter editing, echoing the design used on the Korg Poly-61 ...
Kyma has characteristics of both object-oriented and functional programming languages. The basic unit in Kyma is the Sound object, not the note of traditional music notation. A Sound is defined as:
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E-mu Audity. The E-mu Audity was a digitally controlled, [1] analog synthesizer made in 1978. It was inspired by Tangerine Dream's Peter Baumann, [2] and eventually evolved into a state-of-the-art, 16-voice polyphonic analog synthesizer with an included digital keyboard and sequencer that was intended to compete with Sequential Circuits' Prophet 5.