Search results
Results from the WOW.Com Content Network
Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
The Pawnbroker was the first film since pre-Code era featuring bare breasts to receive Production Code approval. In his 2008 study of films during that era, Pictures at a Revolution, author Mark Harris wrote that the MPAA's action was "the first of a series of injuries to the Production Code that would prove fatal within three years." [13]
Cultural code refers to several related concepts about the body of shared practices, expectations and conventions specific to a given domain of a culture. Under one interpretation, a cultural code is seen as defining a set of images that are associated with a particular group of stereotypes in our minds.
In 1930, the MPPDA introduced the Motion Picture Production Code, commonly called the Hays Code. The Code consisted of moral guidelines regarding what was acceptable to include in films. [12] Unlike the "Dont's and Be Carefuls", which the studios had ignored, the Production Code was endorsed by studio executives. [5]
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB's inception in 1988.
The National Board of Review of Motion Pictures is a non-profit organization of New York City area film enthusiasts. Its awards, which are announced in early December, are considered the first major harbinger of the film awards season that culminates in the Academy Awards.
Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines (popularly known as the Hays Code) in 1934.
In Marxist philosophy, cultural hegemony is the dominance of a culturally diverse society by the ruling class who shape the culture of that society—the beliefs and explanations, perceptions, values, and mores—so that the worldview of the ruling class becomes the accepted cultural norm. [1]