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Symphony No. 2 A London Symphony (1911–13; revised 1918, 1920 and 1933) Symphony No. 3 Pastoral Symphony (1921) Symphony No. 4 in F minor (1931–34) Symphony No. 5 in D major (1938–43) Symphony No. 6 in E minor (1944–47, rev. 1950) Symphony No. 7 Sinfonia antartica (1949–52) (partly based on his music for the film Scott of the Antarctic)
Vaughan Williams c. 1920. Ralph Vaughan Williams OM (/ ˌ r eɪ f v ɔː n ˈ w ɪ l j ə m z / ⓘ RAYF vawn WIL-yəmz; [1] [n 1] 12 October 1872 – 26 August 1958) was an English composer. . His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty yea
Pages in category "Symphonies by Ralph Vaughan Williams" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. L.
The symphony was composed from 1912 to 1913. It is dedicated to Vaughan Williams's friend and fellow composer George Butterworth (1885–1916) who was subsequently killed by a sniper on the Somme during World War I. [7] It was Butterworth who had first encouraged Vaughan Williams to write a purely orchestral symphony. [8] Vaughan Williams ...
Vaughan Williams in 1955. The Symphony No. 9 in E minor was the last symphony written by the English composer Ralph Vaughan Williams.He composed it during 1956 and 1957, and it was given its premiere performance in London by the Royal Philharmonic Orchestra conducted by Sir Malcolm Sargent on 2 April 1958, in the composer's eighty-sixth year.
Symphonies by Ralph Vaughan Williams (9 P) Pages in category "Compositions by Ralph Vaughan Williams" The following 19 pages are in this category, out of 19 total.
Vaughan Williams dedicated the symphony to Jean Sibelius.The musicologist J. P. E. Harper-Scott has called Sibelius "the influence of choice" among British symphonists in the years between the two World Wars, citing Walton's First Symphony, all seven of Bax's and the first five of Havergal Brian. [7]
At approximately 70 minutes, A Sea Symphony is the longest of all Vaughan Williams's symphonies. Although it represents a departure from the traditional Germanic symphonic tradition of the time, it follows a fairly standard symphonic outline: fast introductory movement, slow movement, scherzo, and finale.
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