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The Rococo Revival style emerged in Britain and France in the 19th century.Revival of the rococo style was seen all throughout Europe during the 19th century within a variety of artistic modes and expression including decorative objects of art, paintings, art prints, furniture, and interior design.
In 1829, the author Stendhal described rococo as "the rocaille style of the 18th century". [13] Capital of the Engelszell Abbey, from Austria (1754 – 1764) In the 19th century, the term was used to describe architecture or music which was excessively ornamental. [14] [15] Since the mid-19th century, the term has been accepted by art historians.
Rococo painting represents the expression in painting of an aesthetic movement that flourished in Europe between the early and late 18th century, migrating to America and surviving in some regions until the mid-19th century. The painting of this movement is divided into two sharply differentiated camps.
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below. See as well Régence, Louis XV of France, Palace of Versailles. Antoine Watteau (1684–1721) painter
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [1] the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes. [2]
The Rockingham Pottery was a 19th-century manufacturer of porcelain of international repute, ... to modern tastes, somewhat gaudy rococo style of porcelain; ...
By the late 18-century, the Rococo style was increasingly viewed as an elaborate and grandiose manifestation, characterized by extravagant cartouches, flamboyant curves, and excessive gilding. As a reaction, the Neoclassical style emerged, aiming to return to the simpler, allegorical forms and motifs reminiscent of Ancient Greece and Rome. [8]
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