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The Manichaean Painting of the Buddha Jesus (Chinese: 夷數佛幀; pinyin: Yí shù fó zhēn; Wade–Giles: I 2-shu 4 fo 2-chên 1; Japanese: キリスト聖像 [1]; rōmaji: Kirisuto Sei-zō; lit. 'Sacred Image of Christ'), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan.
Augustine's writings document the Manichean devotion to Jesus. Manichean hymns to Jesus are preserved in a variety of languages, especially Coptic from 4th century Egypt and, to a lesser extent, Parthian, Sogdian, Middle Persian, and Uighur, from Karakhoja in the 8th to 11th centuries, and even Middle Chinese, 8th century North China.
Restored Mogao Christian painting, possibly a representation of Jesus Christ.The original work dates back to the 9th century. The Jingjiao Documents (Chinese: 景教經典; pinyin: Jǐngjiào jīngdiǎn; also known as the Nestorian Documents or the Jesus Sutras) are a collection of Chinese language texts connected with the 7th-century mission of Alopen, a Church of the East bishop from ...
The murals from the Christian temple at Qocho (German: Wandbilder aus einem christlichen Tempel, Chotscho) are three Church of the East mural fragments—Palm Sunday, Repentance and Entry into Jerusalem—discovered by the German Turpan expedition team, which was led by two German archaeologists Albert Grünwedel and Albert von Le Coq, in the early 20th century.
Sermon on Mani's Teaching of Salvation (Chinese: 冥王聖幀; lit. 'Sacred Scroll of the King of the Underworld') is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in ...
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
The oldest known portrait of Jesus, found in Syria and dated to about 235, shows him as a beardless young man of authoritative and dignified bearing. He is depicted with close-cropped hair and wearing a tunic and pallium —the common male dress for much of Greco-Roman society, and similar to that found in the figure art in the Dura-Europos ...
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related to: chinese front portraits of jesustemu.com has been visited by 1M+ users in the past month