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The sound of the seventh trumpet signals the "third woe." This is the final trumpet and the final woe. Loud voices in Heaven will say: "The kingdom of the world has become the kingdom of our Lord and of His Messiah, and He will reign forever and ever."
Hebrew cantillation, trope, trop, or te'amim is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points.
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
In the Abrahamic religions, the voice of God is a communication from God to human beings through sound with no known physical source. In rabbinic Judaism, such a voice was known as a bat kol ( Hebrew : בַּת קוֹל baṯ qōl , literally "daughter of voice"), and was a "heavenly or divine voice which proclaims God's will or judgment". [ 1 ]
The day-year principle or year-for-a-day principle is a method of interpretation of Bible prophecy in which the word day in prophecy is considered to be symbolic of a year of actual time. [1] [2] It was the method used by most of the Reformers, [3] and is used principally by the historicist school of prophetic interpretation. [4]
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