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In January 2009, Gadotti Guitars announced the 10 String Nylon King Electric, a solid body, nylon-stringed ten-string guitar, suitable for both Yepes and other tunings such as the Baroque. [ 6 ] A ten-string jazz guitar by Mike Shishkov, based on the ten-string extended-range classical guitar, was demonstrated at the 3rd International Ten ...
Most Renaissance lute music has been transcribed for guitar (see List of composers for lute). The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string.
Gerry Beaudoin is a jazz guitarist, composer and arranger, and member of the New Guitar Summit. He uses seven-string Benedetto guitars. Matt Bellamy (born 1978) is the lead vocalist and guitarist of Muse. He uses a custom-built seven-string guitar tuned to AADDGBE for the song "Citizen Erased". [2]
They all preferred the ten-string guitar." Yepes then sought the opinion of his former teacher, Nadia Boulanger. After playing the ten-string guitar for her, Yepes recalled that, "She noticed that my playing on my new guitar had more resonance, and this is important, she noticed that I could stop the resonance with my hands if I wanted to. She ...
The English guitar or guittar (also citra) is a stringed instrument – a type of cittern – popular in many places in Europe from around 1750–1850. It is unknown when the identifier "English" became connected to the instrument: at the time of its introduction to Great Britain, and during its period of popularity, it was apparently simply known as guitar or guittar.
The following is a non-comprehensive list of composers who have composed original music for the classical guitar, or music which has been arranged for it. This list is sortable by name, nationality and years of birth or death.
"Mr. Yepes is a faithful product of the hot, dry Andalucian climate, and his playing has little of the refinement that English listeners associate with the classical guitar. His rhythms are tense and urgent, his phrasing stylized in emphasis, his tone kaleidoscopic but favouring the plangency that non-Iberian players reserve for special effect."
During the 1920s and 1930s, Williams gradually added the extra strings to prevent other guitarists from playing his guitar. In his later years, he occasionally used a 12-string guitar tuned to open G. Williams sometimes tuned a six-string guitar to a modification of open G: the bass D string (D2) was replaced with a .08-gauge string and tuned ...
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