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Joan Miró was among the first artists to develop automatic drawing as a way to undo previous established techniques in painting, and thus, with André Masson, represented the beginning of Surrealism as an art movement. However, Miró chose not to become an official member of the Surrealists to be free to experiment with other artistic styles ...
The Harlequin's Carnival (Spanish: Carnaval de Arlequín) is an oil painting painted by Joan Miró between 1924 and 1925. It is one of the most outstanding surrealist paintings of the artist, and it is preserved in the Albright–Knox Art Gallery in Buffalo, New York.
In addition to his inclusion in many surrealist exhibitions and publications, the Pierre Matisse Gallery held Miró exhibitions almost annually from 1932 onward, and the Museum of Modern Art (MoMA) acquired and repeatedly exhibited his work (e.g. Cubism and Abstract Art and Fantastic Art, Dada, and Surrealism), culminating with a retrospective ...
The Tilled Field (French: La terre labourée; Catalan: Terra llaurada) is a 1923–1924 oil-on-canvas painting by Catalan painter Joan Miró, depicting a stylized view of his family's farm at Mont-roig del Camp in Catalonia.
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
The Exposition Internationale du Surréalisme was an exhibition by surrealist artists that took place from January 17 to February 24, 1938, in the generously equipped Galérie Beaux-Arts, run by Georges Wildenstein, at 140, Rue du Faubourg Saint-Honoré in Paris.
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