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Japanese design is based strongly on craftsmanship, beauty, elaboration, and delicacy. The design of interiors is very simple but made with attention to detail and intricacy. This sense of intricacy and simplicity in Japanese designs is still valued in modern Japan as it was in traditional Japan. [89]
In the 1980s, a new home in Japan cost 5-8 times the annual income of the average Japanese, and 2-3 times that of an average American. [9] The typical loan term for Japanese homes was 20 years, with a 35% down payment, while in the United States it was 30 years and 25%, due to differing practices in their financial markets.
The Jutaku phenomenon rose in the 1990s as Japan's real estate sites grew increasingly smaller, both from the Japanese inheritance system and the island's growing population. [ 2 ] [ 1 ] According to the architect Kengo Kuma , the first traces of Jutaku appear in the writings of the poet Kamo no Chōmei and the description of his own small house.
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society , Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non- samurai castes ). [ 1 ]
This style was simplified in teahouse-influenced sukiya-zukuri architecture, [12] and spread to the homes of commoners in the Edo Period (1603–1868), since which shoji have been largely unchanged. [4] Shoji are used in both traditional-style Japanese houses and in Western-style housing, especially in the washitsu (traditional Japanese-style ...
Ban's work encompasses several schools of architecture. First he is a Japanese architect, and uses many themes and methods found in traditional Japanese architecture (such as shōji) and the idea of a "universal floor" to allow continuity between all rooms in a house. In his buildings, this translates to a floor without change in elevation.
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