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Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
139 artworks by or after Titian at the Art UK site; A closer Look at the Madonna of the Rabbit multimedia feature, Musée du Louvre official site (English version) The Titian Foundation Images of 168 paintings by the artist. Titian's paintings; Tiziano Vecellio at Web Gallery of Art; Christies' sale blurb for the recently restored 'Mother and ...
Paintings by Titian. Subcategories. This category has the following 8 subcategories, out of 8 total. ...
The painting was jointly purchased by the National Gallery and the Scottish National Gallery for £45 million in March 2012. [2] Along with its companion painting Diana and Actaeon it is displayed on an alternating basis between London and Edinburgh. There is a later version by Titian and his workshop in the Kunsthistorisches Museum, in Vienna.
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian.It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts.
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Netherlandish copy of Titian's lost portrait of Mary of Hungary (c. 1550) Mary of Austria receiving Charles V in the large hall of Binche Palace, constructed between 1546 and 1548. Drawing by an unknown Flemish artist (c. 1550) On his first visit to Augsburg Titian received a new commission from Charles V's sister, Queen Mary of Hungary.
The painting was one of the "poesie" series painted by Titian for Philip II of Spain.With Diana and Callisto and Diana and Actaeon, both now shared by London and Edinburgh; it was one of three Titian poesie given by Philip V of Spain to the French ambassador, the Duke of Gramont, who in turn presented them to Philippe II, Duke of Orléans, Regent of France from 1715 to 1723.
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