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Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques. Celtic cross stitch typically employs rich, deep colors, intricate geometrical patterns, spirals , interlacing patterns, knotwork , alphabets, animal forms and zoomorphic ...
Counted stitch blackwork, 1530s (left), and free stitch blackwork, 1590s (right). Blackwork, sometimes historically termed Spanish blackwork, is a form of embroidery generally worked in black thread, although other colours are also used on occasion, as in scarletwork, where the embroidery is worked in red thread. [1]
Traditionally, Assisi embroidery was rarely executed in cross-stitch but was most often in long-armed cross-stitch. Examples employing other stitches, such as Italian cross-stitch and Algerian plait stitch, are also known. The colours of thread used were red, blue, green or gold for the background and black or brown for the outlines.
Most commercial needlework kits recommend one of the variants of tent stitch, although Victorian cross stitch and random long stitch are also used. [28] Authors of books of needlepoint designs sometimes use a wider range of stitches. [29] [30] Historically, a very wide range of stitches have been used including: Arraiolos stitch for Arraiolos rugs
Chain stitch – hand or machine stitch for seams or decoration; Cross-stitch – usually used for decoration, but may also be used for seams; Catch stitch (also 'flat' and 'blind' -catch stitch) – flat looped stitch used in hemming; Darning stitch – for repairing holes or worn areas in fabric or knitting
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]
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