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Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]
This list includes artists that perform in traditional gospel music genres such as Southern gospel, traditional black gospel, urban contemporary gospel, gospel blues, Christian country music, Celtic gospel and British black gospel as well as artists in the general market who have recorded music in these genres
Since they started releasing recordings in 1992, they have published and recorded hundreds of songs on over 50 albums, mostly under their own label, Hillsong Music. Below is a list of songs arranged alphabetically by title. Italicised song titles indicate an instrumental recording. Italicised album names indicate an instrumental album.
List of gospel songs which have reported sales of 1 million units or higher but are uncertified by the Recording Industry Association of America (RIAA). Though "I'll Take You There" by The Staple Singers was certified Gold on January 31, 2019 for digital sales of 500,000 units, [4] its physical sales of 1.5 million units, reported on May 6, 1972 are uncertified by the RIAA.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Black gospel music traces its roots back to slavery when enslaved people sang call-and-response songs such as “Roll, Jordan, Roll” and “Swing Low, Sweet Chariot.” These early folk songs ...
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs, [1] or earlier. It has become a standard in many Protestant hymnals , though it says nothing about Jesus or the gospel, and covered by many artists.
It was recorded by Brewster's own group, the Brewster Singers, and by many other gospel performers including Edna Gallmon Cooke, Clara Ward, Sister Rosetta Tharpe, and The Staple Singers. Later recordings were made by Aretha Franklin, Dionne Warwick, and Sweet Honey in the Rock. Some of the recordings credit the writing of the song to Adeline ...
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