Search results
Results from the WOW.Com Content Network
Derek Jonathan Doneen (born March 27, 1987) [1] is an American documentary film director, editor and producer. [2] He is best known for his work on the feature documentary The Price of Free and the Netflix documentary series Heist .
Chris Gorak is an American film director who started as an art director and production designer. He directed the 2006 film Right at Your Door and the 2011 film The Darkest Hour. Gorak began working in the film industry in the 1990s as an art director. In the 2000s, he worked on several films as a production designer before becoming a film director.
Rochette was the artist for the graphic novel the film was based on John Romita Jr. [40] "Wall of Villains" portraits Kick-Ass: Romita Jr. was one of the creators of the Kick-Ass comic series the film was based on Julian Schnabel [6] paintings in the style of Jean-Michel Basquiat: Basquiat: Schnabel also wrote, directed and composed music for ...
Jamie Babbit; Héctor Babenco; Lloyd Bacon; Clarence G. Badger; John Badham; Bae Yong-Kyun; Cindy Baer; Prince Bagdasarian; King Baggot; Nadeem Baig; Prano Bailey-Bond
Derek Vanlint, C.S.C. (7 November 1932 – 23 February 2010) was a British-born [1] Canadian cinematographer and director of television commercials and motion pictures.. He was best known as the cinematographer for the 1979 science fiction horror film Alien, which earned him a Best Cinematography Award nomination from the British Society of Cinematographers.
Oblivion Island: Haruka and the Magic Mirror (movie) : Storyboard, Unit Director, Background Art (illustration) Otogi Zoshi (TV) : Key Animation (8 episodes) Phantom of the Kill -Zero Kara no Hangyaku- (special) : Director, Screenplay, Storyboard
Jean-Pierre Bekolo was born in 1966 in Yaounde, Cameroon. He studied physics at the University of Yaounde in Cameroon from 1984 to 1987. He then studied in the National Institution of Audiovisuals (INA) in Bry-sur-Marne, France, under French film theorist Christian Metz.
Sky Captain and the World of Tomorrow has come to be considered a landmark in special effects, as it is the first major motion picture to be shot completely on blue-screen with computer-generated backgrounds (with the exception of the two sets built due to time and budget constraints), and is the film that brought this medium into vogue.