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Derek Jonathan Doneen (born March 27, 1987) [1] is an American documentary film director, editor and producer. [2] He is best known for his work on the feature documentary The Price of Free and the Netflix documentary series Heist .
Joseph Kosinski (born May 3, 1974) [1] is an American film director, best known for his computer graphics and computer-generated imagery (CGI) work, and for his work in action films. He has directed the films Tron: Legacy (2010), Oblivion (2013), Only the Brave (2017), Top Gun: Maverick (2022) and Spiderhead (2022).
Rochette was the artist for the graphic novel the film was based on John Romita Jr. [40] "Wall of Villains" portraits Kick-Ass: Romita Jr. was one of the creators of the Kick-Ass comic series the film was based on Julian Schnabel [6] paintings in the style of Jean-Michel Basquiat: Basquiat: Schnabel also wrote, directed and composed music for ...
Jamie Babbit; Héctor Babenco; Lloyd Bacon; Clarence G. Badger; John Badham; Bae Yong-Kyun; Cindy Baer; Prince Bagdasarian; King Baggot; Nadeem Baig; Prano Bailey-Bond
Sky Captain and the World of Tomorrow has come to be considered a landmark in special effects, as it is the first major motion picture to be shot completely on blue-screen with computer-generated backgrounds (with the exception of the two sets built due to time and budget constraints), and is the film that brought this medium into vogue.
Barry Sonnenfeld (born April 1, 1953) is an American filmmaker and television director. He originally worked as a cinematographer for the Coen brothers before directing films such as The Addams Family (1991) and its sequel Addams Family Values (1993), Get Shorty (1995), the Men in Black trilogy (1997–2012), and Wild Wild West (1999).
With a background in painting and architecture, Cimino began his career as a commercial director in New York before moving to Los Angeles in the early 1970s to take up screenwriting. After co-writing the scripts for both Silent Running (1972) and Magnum Force (1973), he wrote the preliminary script for Thunderbolt and Lightfoot (1974).
One of the most noticeable ways to affect film style is through mise-en-scène, or what appears on the screen. Lighting, costumes, props, camera movements, and backgrounds are all part of mise-en-scène. There are countless ways to create a film based on the same script simply through changing the mise-en-scène. [5]
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