Search results
Results from the WOW.Com Content Network
Inspired by the folklore of Dalmatian hinterland, to the point where the boundary between the folklore and "classical music" ceases to exist, it is considered to be the best and most performed Croatian opera of all time. 1935 Die schweigsame Frau (Strauss). A comic opera based on a play by Ben Jonson. [202] 1935 Porgy and Bess (George Gershwin ...
Duet for soprano and tenor Replacement duet for the characters Ilia (soprano), Idamante (tenor) and orchestra in Idomeneo: Giambattista Varesco: 1786 532 "Grazie agl'inganni tuoi" Terzet for soprano, tenor, bass and orchestra (fragment) Metastasio La Libertà a Nice: possibly 1787 540b "Per queste tue manine" Duet for soprano and bass
Among the more well-known of Mozart's concert arias are: "Popoli di Tessaglia!", K. 316, for soprano, with its two famous G 6 notes (i.e., the G above high C - according to the Guinness Book of Records, the highest musical note ever scored for the human voice) that come shortly before the end.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
"Nessun dorma", sung by some of the most famous interpreters of Calaf, appears on the following compilation recordings (for full-length recordings of the opera, see Turandot discography): The Very Best of Beniamino Gigli (EMI Classics) The Very Best of Jussi Björling (EMI Classics) Richard Tucker in Recital (Columbia Masterworks/Myto)
Dove sono" (Where are [those happy moments]) [1] is an aria in Italian for lyric soprano from the third act of Mozart's 1786 opera Le nozze di Figaro (The Marriage of Figaro). Countess Almaviva laments , in an initial recitative, that her husband has become a philanderer, and that she must rely on assistance from her maid to manipulate him.
At center, from left: Kang Wang, Kathryn Lewek and Emily Fons, along with the Palm Beach Opera Chorus, in a scene from Offenbach's "The Tales of Hoffmann," at Palm Beach Opera.
The soprano clef for the singer indicates a soprano voice for all arias. They are in different keys , and all of them are da capo arias. The fourth aria, that is " Bist du bei mir ", is in E-flat major (although notated with only two flats at the clef), and has the most extended instrumentation: first violin (vl1), second violin (vl2), viola ...