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Notturno (terzet) for two sopranos, bass and three basset horns: Metastasio L'Olimpiade, I, 7: 16 July 1788 Anh. 5: 571a "Caro mio Druck und Schluck" Quartet for soprano, two tenors, bass and piano (fragment) Wolfgang Amadeus Mozart: beginning of 1789 615 "Viviamo felici in dolce contento" Choir of amateurs and strings (fragment) Tommaso Grandi ...
Sacred Arias (Italian: Arie Sacre), is the sixth studio album by Italian tenor Andrea Bocelli.. Released in 1999, the album, featuring music composed in traditional Christian styles, is not only Bocelli's most commercially successful classical album to date with over 5 million copies sold, [1] but also the biggest selling classical album by any solo artist in history.
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Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
The 1989 song "A Love So Beautiful", co-written by Roy Orbison and Jeff Lynne, borrows the aria's melody. [ 14 ] In what the National Academy of Recording Arts and Sciences called "the greatest last-second substitution act in Grammy history", Aretha Franklin sang a "soul-infused" version of the aria in place of Luciano Pavarotti when throat ...
Among the more well-known of Mozart's concert arias are: "Popoli di Tessaglia!", K. 316, for soprano, with its two famous G 6 notes (i.e., the G above high C - according to the Guinness Book of Records, the highest musical note ever scored for the human voice) that come shortly before the end.
At center, from left: Kang Wang, Kathryn Lewek and Emily Fons, along with the Palm Beach Opera Chorus, in a scene from Offenbach's "The Tales of Hoffmann," at Palm Beach Opera.
" Un bel dì, vedremo" (Italian pronunciation: [um bɛl di veˈdreːmo]; "One fine day we'll see") is a soprano aria from the opera Madama Butterfly (1904) by Giacomo Puccini, set to a libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cio-Cio San (Butterfly) on stage with Suzuki, as she imagines the return of her absent love, Pinkerton.