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Amorsolo set up his own studio upon his return to Manila and painted during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely in the Philippines and abroad.
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).
Imao finished high school in 1956. During the same year, the Philippine Navy held a floating exhibit named LST which hosted works of Filipino artists, Fernando Amorsolo, Botong Francisco and Vicente Manansala. Imao conversed with Tomas Bernardo, who was in-charge of the exhibit, about painting and asked if Imao was into the discipline.
The second floor is a gallery of over 1,000 art treasures, featuring the paintings and sketches of national artists Juan Luna, Felix Resurrecion Hidalgo, Fernando Amorsolo, Ang Kiukok, Vicente Manansala, Hernando R. Ocampo, and BenCab.
At thirteen years of age, she studied at the School of Fine Arts of the University of the Philippines (UP), where she took instruction from prominent Filipino painters like Fabian de la Rosa, Fernando Amorsolo, and his brother Pablo Amorsolo. [4] She then followed UP's School of Design, with teachers as Victorio Edades and Enrique Ruiz.
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Displayed on opposite sides of the foyer are two mural paintings by National Artist Fernando Amorsolo, titled The Dance and The History of Music. [8] Since the 1996 foreclosure, the original murals are in the GSIS Museum and so reproductions were made for the NCCA-led restoration. [10]