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The pierced lute had a neck made from a stick that pierced the body (as in the ancient Egyptian long-neck lutes, and the modern African gunbrī [7]). [8] The long lute had an attached neck, and included the sitar, tanbur and tar: the dutār had two strings, setār three strings, čārtār four strings, pančtār five strings. [5] [6]
It is a bowed lute with 13 strings, one raised bowing string and 12 sympathetic strings, tuned to the mode of the muqam or piece being played. In India , the Sitar is an instrument with many forms. Its name is "an Urdu transcription of the Persian sihtār ". [ 1 ]
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
At the time of the dutar's humble origins in the 15th century as a shepherd's instrument its strings were made from gut. However, with the opening up of the Silk Road, catgut gave way to strings made from twisted silk imported from China. To this day some instruments still feature silk strings, although nylon or steel strings are also commonly ...
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
These instruments are made of a resonator and string bearer that are physically united, with strings in parallel to the sound table and a handle which is also the string bearer and which passes through the resonator but does not pierce its tail end. [1] [2]
[1] The spike in the name spike lute refers to the fact that the handle passes through the resonator, often forming a spike after it emerges from it. In instruments like the Chinese erhu, the spike is vestigial, but in many instruments, like the rebab, it acts as support during performances. [2]
The ancient Greek pandoura was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the trichordon (three-stringed) (τρίχορδον, McKinnon 1984:10).