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A combination of barrel vaults, pendentives, drum, and dome developed as the characteristic structural forms of large Renaissance churches following a period of innovation in the later fifteenth century. [17] Florence was the first Italian city to develop the new style, followed by Rome, and then Venice. [18]
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Drum and fife association found in Basle in 1332.Larger drums come on the scene by the 1500s. [6] A three-hole pipe or reed pipe paired with a snare drum, the musician playing both at once. A variation of this is the Tambourine de Bearn, in which a dulcimer or string drum replaces the snare drum. Circa 1315 A.D., Macedonia. Drum, cymbals and ...
If there is a fifth drum (often called the shot or spock drum) it is placed between the player and the highest two drums. If there are six drums, the fifth and sixth drum are centered closest to the player's body. Most of the time, tenor drums are tuned relatively tightly, giving them a high-pitched sound that carries well outdoors.
A pejeng drum discovered in East Java, displayed in the Asian Civilisations Museum, Singapore. Pejeng drum (also Pejeng-type drum) is a type of Bronze Age kettledrum which was produced across the archipelago of Indonesia between the 1st and 2nd century AD. They are one of Indonesia's finest example of metalworking. [1]
Among the Makassarese, the Ganrang (kendang) drums have much more importance, with it considered the most sacred of all musical instruments, comparable to gongs in Java. This can be seen in local origin stories, accompaniments for local ceremony, dance such as Ganrang Bulo , and martial arts, even local government ceremonies are opened by ...
'dome pedestal'), drum or tambour is the upright part of a building on which a dome is raised. [1] It is generally in the shape of a cylinder or a polygonal prism. The name derives from the tholos, the Greek term for a round building with a roof and a circular wall. Another architectural meaning of "drum" is a circular section of a column shaft
For Turn of the Cards, Renaissance again made use of De Lane Lea Studios and co-producer/engineer Dick Plant. Richard Gottehrer, co-founder of Renaissance's new American record label Sire Records, is also credited as co-producer of the album, but according to drummer Terry Sullivan, Gottehrer never set foot inside De Lane Lea Studios and his sole involvement with the album was collaborating on ...