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The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
Gioachino Rossini's "William Tell Overture" includes a finale that is known as the "March of the Swiss Soldiers" and that starts at the 7:30 mark of this United States Marine Corps Band recording. It is inseparably associated with The Lone Ranger as its theme, making this a highly
The Lone Ranger (Original Motion Picture Score) is the film score for the Walt Disney Pictures film, The Lone Ranger by Hans Zimmer, released on CD and digital download on July 2, 2013, by Walt Disney Records. [1] The physical release was in association with Intrada Records. [2]
Its high-energy finale, "March of the Swiss Soldiers", is particularly familiar through its use in the American radio and television shows of The Lone Ranger. Several portions of the overture were used prominently in the films A Clockwork Orange and The Eagle Shooting Heroes; in addition, Dmitri Shostakovich quotes the main theme of the finale ...
The theme music was primarily taken from the "March of the Swiss Soldiers" finale of Gioachino Rossini's William Tell Overture, which thus came to be inseparably associated with the series. The theme was conducted by Daniel Pérez Castañeda, [ 30 ] with the softer parts excerpted from Die Moldau , composed by Bedřich Smetana .
Jewell was part of the station staff that worked out the original concepts for The Lone Ranger. Jewell is also credited for selecting The William Tell Overture as the theme music for the series. "Ke-mo sah-bee", Tonto's greeting to the masked Ranger, was derived from the name of a boys' camp owned by Jewell's father-in-law Charles W. Yeager ...
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Gioachino Rossini used Schiller's play as the basis for his 1829 opera William Tell. [17] The William Tell Overture is one of his best-known and most frequently imitated pieces of music; in the 20th century, the finale of the overture became the theme for the radio, television, and motion picture incarnations of The Lone Ranger, a fictional ...