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The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
Homemaker was a pattern of mass-produced earthenware tableware that was very popular in the United Kingdom in the 1950s and 60s. [ 1 ] [ page needed ] The pattern was designed by Enid Seeney [ 2 ] [ 3 ] (2 June 1931 – 8 April 2011), [ 2 ] manufactured by Ridgway Potteries of Stoke-on-Trent between 1957 and 1970, [ 3 ] [ 1 ] [ page needed ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
African red slip ware: moulded Mithras slaying the bull, 400 ± 50 AD.. A slip is a clay slurry used to produce pottery and other ceramic wares. [1] Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating ...
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The pottery shapes derived from line and color rather than elaborate decoration. While most of the 500 shapes created by 1911 were the product of Gates' efforts, many of the remaining Teco designs were the work of several Chicago architects that were involved in the Prairie School style as expressed by Frank Lloyd Wright .
Chinese pottery also used techniques where patterns, images or calligraphy were created as part-dried slip was cut away to reveal a lower layer of slip or the main clay body in a contrasting colour. The latter of these is called the "cut-glaze" technique. [7] Slipware may be carved or burnished to change the surface appearance of the ware.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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