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Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics .
Katz's work on the constituting interactions between aesthetic ideas and the development of musical styles continued in her Contemplating Music (1987-1991; with Carl Dahlhaus), [3] a four-volume annotated anthology containing texts by major thinkers, and mapping the main topics of Western philosophy of music from Classical Greece to the 20th ...
Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]
The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western hemisphere, such works having achieved the status of classics. Recent discussions upon the matter emphasise cultural diversity within the canon.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
Night Music: Essays on Music 1928–1962 (1964) Negative Dialectics (1966) Alban Berg: Master of the Smallest Link (1968) Critical Models: Interventions and Catchwords (1969) Posthumously published. Aesthetic Theory (1970) The Stars Down to Earth and Other Essays on the Irrational in Culture (1975) Beethoven: The Philosophy of Music; Fragments ...
Music theory analyzes the pitch, timing, and structure of music. It uses mathematics to study elements of music such as tempo , chord progression , form , and meter . The attempt to structure and communicate new ways of composing and hearing music has led to musical applications of set theory , abstract algebra and number theory .
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