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Dusty in Memphis was released by Atlantic Records in March 1969 in the United States and on 18 April by Philips Records in the United Kingdom. [23] The album was a commercial failure in both countries, reaching only number 99 on the American album charts and failing to chart altogether on the British Top 40.
In April 1969, the third A-side release from Dusty in Memphis was announced as "I Don't Want to Hear It Anymore" with "The Windmills of Your Mind" as the B-side. However Wexler was prepared to promote "Windmills" as the A-side if it won the Oscar for Best Song, reportedly instructing mailroom clerks at Atlantic Records' New York City ...
The single, released in late 1968 and credited as "Son-of-a Preacher Man" on UK, US and other releases, became an international hit, reaching No. 9 in the UK singles chart and No. 10 on Billboard's Hot 100 in January 1969. The album Dusty in Memphis was released in stereo, though its singles were remixed and released in mono.
In the late 1960s and early 1970s Cogbill worked as a record producer at American Sound Studio in Memphis [1] and was part of the studio's house rhythm section, known as the Memphis Boys. [2] One of the best-known recordings featuring his bassline was Dusty Springfield's 1969 hit "Son of a Preacher Man", produced by Jerry Wexler and Tom Dowd. [3]
Its release in the United Kingdom followed three months later by Philips Records, under the title From Dusty with Love. The title track was released as a single in the US in late 1969, peaking at No. 3 on the US Adult Contemporary chart and No. 24 on the Top 40 chart on 20 December 1969; Springfield would not earn another Top 40 hit for 17 years.
In April 1969 "I Don't Want to Hear It Anymore" was announced as the third A-side release from Dusty Springfield's album Dusty in Memphis with "The Windmills of Your Mind" as the B-side. The producer of Dusty in Memphis , Jerry Wexler , was prepared to promote "The Windmills of Your Mind" as the A-side if it won the Academy Award for Best Song ...
After being released on her 1969 album Dusty in Memphis, it was recorded and popularized the same year by Baby Washington. Harry J produced three reggae versions in 1972, by Lorna Bennett, Scotty, and Bongo Herman.
"All the King's Horses" (The Firm song) "All the King's Horses" (Lynn Anderson song), 1976 "All the King's Horses", a song by Dusty Springfield from the 1969 album Dusty in Memphis