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fl. late 15th – early 16th century: English Presumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range Robert de Févin: fl. late 15th–early 16th century: French
15th-century women musicians (3 C, 2 P) Pages in category "15th-century musicians" The following 4 pages are in this category, out of 4 total.
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Pages in category "15th-century English musicians" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. A.
15th-century Irish musicians (3 P) 15th-century Italian musicians (1 C, 2 P) W. 15th-century Welsh musicians (3 P) This page was last edited on 1 November 2021, at 13
15th-century musicians (4 C, 4 P) R. Renaissance music (9 C, 156 P) S. 15th-century songs (1 C, 12 P) Pages in category "15th century in music" The following 10 pages ...
15th; 16th; 17th; 18th; 19th; 20th; Pages in category "15th-century English composers" The following 22 pages are in this category, out of 22 total. ...
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).