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Charles Lamb (10 February 1775 – 27 December 1834) was an English essayist, poet, and antiquarian, best known for his Essays of Elia and for the children's book Tales from Shakespeare, co-authored with his sister, Mary Lamb (1764–1847).
[1] Lamb himself is the Elia of the collection, and his sister Mary is "Cousin Bridget." Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck.
The Charles Lamb Society (CLS) celebrates and contributes to scholarship on the life and work of Charles Lamb (1775-1834) and Mary Lamb (1764-1847). Charles Lamb was an English essayist and poet whose literary circle included important figures in Romanticism such as Samuel Taylor Coleridge, William Hazlitt, Robert Southey, William Wordsworth, and Dorothy Wordsworth.
Lamb's main correspondents were the poets William Wordsworth, Samuel Taylor Coleridge, Robert Southey, Thomas Hood, Bernard Barton, Mary Matilda Betham and Bryan Procter; the philosopher and novelist William Godwin; the music critic William Ayrton; the publishers Edward Moxon, William Hone, Charles Ollier, Charles Cowden Clarke and J. A. Hessey; the statistician John Rickman; the actress Fanny ...
Charles Lamb in 1798, the year he wrote and published "The Old Familiar Faces". Drawn and engraved by Robert Hancock. "The Old Familiar Faces" (1798) is a lyric poem by the English man of letters Charles Lamb. Written in the aftermath of his mother's death and of rifts with old friends, it is a lament for the relationships he had lost.
Charles Vincent Lamb was born in Portadown, County Armagh on 30 August 1893. He was the son of a painter and decorator, and a Justice of the Peace, John Lamb. He was the eldest of seven children, [1] having three sisters and three brothers. [2] Lamb served an apprenticeship with his father where he won a gold medal as Housepainter of the Year ...
Charles Lamb refers to James White in many of his letters and the Essays of Elia (in particular the essay entitled The Praise of Chimney-Sweepers). White developed a fascination with the character of Falstaff and was even known to dress up and go about "in character".
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