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Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
Symphony No. 4, Symphony of Choirs, by Mikis Theodorakis (1986-87) * Symphony No. 7, Pietas by Erkki-Sven Tüür (1987) The Dawn Is at Hand, by Malcolm Williamson (1987–89) * Symphony No. 3, Journey without Distance, by Richard Danielpour (1989) * Symphony No. 7, Op. 116, The Keys of the Kingdom, by Jan Hanuš (1990)
Charles Groves, conductor; Edmund Walters, choir director – Delius: Songs of Sunset (Royal Liverpool Philharmonic Choir and Orchestra) Hans Werner Henze, choir director – Henze: The Raft of the Frigate Medusa (North German Radio Choirs & St. Nicolai Boy's Chorus; North German Radio Symphony)
Choirs are often led by a conductor or choirmaster/mistress or a choir director. Most often choirs consist of four sections intended to sing in four part harmony, but there is no limit to the number of possible parts as long as there is a singer available to sing the part: Thomas Tallis wrote a 40-part motet entitled Spem in alium, for eight choirs of five parts each; Krzysztof Penderecki's ...
At the ARIA Music Awards of 2019, the song was nominated for four awards; Best Male Artist, Best Pop Release, Video of the Year and Song of the Year, [2] and won the latter two. At the APRA Music Awards of 2020, "Choir" was nominated for Song of the Year, Most Performed Australian Work of the Year and Most Performed Pop Work of the Year. [3] [4]
May Flights of Angels Sing Thee to Thy Rest") is a musical composition by British composer John Tavener with lyrics by Mother Thekla, an Orthodox nun, which is intended to be sung a cappella by a four-part (soprano, alto, tenor and bass) choir. It is Tavener's best known work, [1] having been performed by the Westminster Abbey Choir conducted ...
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [ 2 ] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila , to the F natural above ...
Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship. Composers wrote music to make full use of the traditional cathedral layout of a segregated chancel area and the arrangement of choir stalls into rows of Decani and Cantoris , writing ...
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