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Death Becomes Her: A Century of Mourning Attire was an exhibition at the Metropolitan Museum of Art that ran from October 21, 2014, to February 1, 2015. [ 1 ] [ 2 ] [ 3 ] The exhibition featured mourning attire from 1815 to 1915, primarily from the collection of the Met's Anna Wintour Costume Center [ 4 ] and organized by curator Harold Koda ...
A Victorian woman wearing a widow's cap. Illustration from The Strand Magazine (1890) A Victorian mourning cap was identified by its black colour or tone (depending on the level of mourning). The more recent the loss the simpler the design. The shape of the cap depended on the age of the widow but the most common was peaked at the front. [3]
Victoria's five daughters (Alice, Helena, Beatrice, Victoria and Louise), photographed wearing mourning black beneath a bust of their late father, Prince Albert (1862) Mourning Dress, 1894–95. In Britain, black is the colour traditionally associated with mourning for the dead.
The dresses had a fitted bodice and it gave a high-waist appearance. The style had waxed and waned in fashion for hundreds of years. The shape of the dresses also helped to lengthen the body's appearance. The clothing can also be draped to maximize the bust. Lightweight fabrics were typically used to create a flowing effect.
The Infanta Margarita of Spain is shown here wearing a mourning dress of unrelieved black with long sleeves, cloak and hood. She wears her hair parted to one side and severely bound in braids, 1666. Two English ladies wear dresses with short sleeves over chemise sleeves gathered into three puffs. The long bodice front with curving bands of ...
[161] [162] [163] Mary escaped from Lochleven on 2 May 1568, her disguise involved a borrowed red dress and changing her hairstyle so she looked like a local woman. [164] Usually, Mary's hair was elaborately dressed by Mary Seton. [165] A Victorian antiquary, Charles Kirkpatrick Sharpe, claimed to possess the cap she wore during the escape. [166]
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