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The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
"Playboys" is a song by the Finnish rock band The Rasmus (then named just "Rasmus"), originally released on the band's second album with the same name, Playboys on 29 August 1997. The single was released in 1997 by the record label Warner Music Finland. It is the third single from the album Playboys, and features only the track "Playboys".
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
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The Spirit of Aggieland is the alma mater of the Texas A&M University.It was originally written as a poem by Marvin H. Mimms while he was a student at Texas A&M. [1] Richard J. Dunn, the director of the Fightin' Texas Aggie Band at the time, composed the music.
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
The Skye Boat Song" (Roud 3772) is a late 19th-century Scottish song adaptation of a Gaelic song composed c.1782 by William Ross, entitled Cuachag nan Craobh ("Cuckoo of the Tree"). [1] In the original song, the composer laments to a cuckoo that his unrequited love , Lady Marion Ross, is rejecting him.
The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and nuance.