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Loudspeaker time-alignment, usually simply referred to as "time-alignment" or "Time-Align", is a term applied in loudspeaker systems which use multiple drivers (like woofer, mid-range and tweeter) to cover a wide audio range. It involves delaying the sound emanating from one or more drivers (greater than 2-way) to correct the transient response ...
Audio crossovers are a type of electronic filter circuitry that splits an audio signal into two or more frequency ranges, so that the signals can be sent to loudspeaker drivers that are designed to operate within different frequency ranges. The crossover filters can be either active or passive. [1] They are often described as two-way or three ...
The Yamaha NS-10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment. It was poorly received but eventually became a valuable tool with which to mix rock recordings.
Mid-range speaker. A mid-range speaker is a loudspeaker driver that reproduces sound in the frequency range from 250 to 2000 Hz. [ 1 ] Mid-range drivers are usually cone types or, less commonly, dome types, or compression horn drivers. The radiating diaphragm of a cone mid-range unit is a truncated cone, with a voice coil attached at the neck ...
A loudspeaker (commonly referred to as a speaker or, more fully, a speaker system) is a combination of one or more speaker drivers, an enclosure, and electrical connections (possibly including a crossover network). The speaker driver is an electroacoustic transducer [ 1 ]: 597 that converts an electrical audio signal into a corresponding sound.
These vintage cone tweeters exhibited very flat frequency response, low distortion, fast transient response, a low resonance frequency and a gentle low-end roll-off, easing crossover design. Typical of the 1960s/1970s-era was the CTS "phenolic ring" cone tweeters, exhibiting flat response from 2,000 to 15,000 Hz, low distortion and fast ...
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
The crossover has three settings of relative high frequency level, in steps of 0.5dB. Each crossover is tuned to the specific pairs of drive units. [ 11 ] While Stirling's revision deviates technically from the specification, the company took steps to research and test to ensure the LS3/5A sound was preserved, "warts and all".